Opening Quote: "We have to distrust each other. It is our only defense against betrayal." – Camino Real

Scene: Nick crumples up the note that Adalind left him.

Nick: No! [He angrily slides a chair into a wall] No, this is not gonna happen. [He calls Hank, but only gets Hank's voicemail because Hank is making out with Zuri. He hangs up and leaves the loft]

Scene: Adalind arrives in a cab at the heavily guarded Black Claw mansion where Renard is staying.

Adalind: I'm here to see—
Guard: We know who you are. Miss Schade has arrived. We'll get your bags.
Renard: [He opens the door for Adalind] I'm glad you're here. I would have sent a car.
Adalind: Well, then you would have found out where Nick lives. Can't make it that easy on you.
Renard: Could just call the cab company.
Adalind: You assume I took only one?
Renard: You brought Kelly. I wasn't sure what you'd do.
Adalind: Where's Diana?
Renard: Now that you're here, they'll bring her.
Adalind: Why isn't she here now?
Renard: Because they wanted to make sure you came alone. Let me make something perfectly clear. You and I do not have complete control here. Welcome home.
Adalind: What are you gonna tell Nick? He's gonna figure out we're with you, and he's not gonna be happy about it.
Renard: I'll deal with Burkhardt.
Adalind: He may just deal with you too.
Renard: I'm sure he'd love to, but now that Kelly's here, his options are limited.
Adalind: What if you lose the election tomorrow? Will we still be here?
Renard: You do realize that Kelly's one of us? Mother's a Hexenbiest, father's a Grimm.
Adalind: Nothing happens to my son.
Renard: I'll treat him as I would my own.
Adalind: That's reassuring. You gave our daughter away.
Renard: I know what that did to you, and what it did to me, but now we have Diana and Kelly. Like it or not, we're a family. You made the right decision.

Scene: Nick looks for Renard at his house.

Nick: [He opens the front door] Renard! [He finds the house empty and runs upstairs] No. [He returns downstairs] No.

Scene: Wu lies in bed, thinking about what has happened lately as a result of being scratched by a Lycanthrope.

Wu: [He gets out of bed and looks in his bathroom mirror] Do it. Come on, do it. I said do it. Show me what I am! [He leaves the bathroom and starts throwing and breaking things around his apartment. He begins punching a wall and his arm morphs, so he runs back to the bathroom mirror, where he fully morphs into his primal form] No, no, no... have to control. Have to stop. [He closes his eyes and breathes steadily. He then retracts] I did it. [He laughs softly] I did it. I did it.

Scene: Rosalee gets ready to go to bed as Monroe works.

Brenda Braxton: And with the election just a few hours away...
Rosalee: How much longer are you going to work?
Monroe: Almost got it.
Brenda Braxton: Remember to get out and vote.
Rosalee: [She turns off the TV] Some of us are ready to go to bed.
Monroe: And some of us are working on a very complicated self-winding Breguet with a gong-spring.
Rosalee: Well, I'm going to bed, and unless you join me in the next few minutes... [Whispering] you're gonna be the one who's self-winding tonight.
Monroe: And I'm done. [He and Rosalee start to head upstairs]
[Nick knocks on the door and Rosalee groans]
Nick: Monroe, Rosalee, it's me.
Monroe: [He answers the door] What's wrong?
Nick: Adalind's gone.
Monroe: What?
Rosalee: What do you mean, "she's gone"?
Nick: She left me, and she took Kelly.
Monroe: She didn't say anything?
Nick: She left a note. She said that she didn't have a choice and she had to do this to protect her children.
Rosalee: Oh, my God, Nick.
Nick: Renard was pressuring her. I mean, she told me she was afraid that he was gonna use Diana to get to her.
Monroe: You think she's with Renard?
Nick: I went to his place and it was completely empty.
Monroe: Empty? What, like he's moved out?
Nick: Yes.
Rosalee: Wait. When did she tell you about Renard?
Nick: Uh, a couple of nights ago.
Rosalee: [She sighs] That's when she came and dropped off Kelly with me. She said it was about work, but when she came back to pick him up, I could tell she was upset about something.
Monroe: You think it was about Diana?
Nick: Meisner told me Diana was with Black Claw.
Monroe: How did they find her?
Nick: I don't know. Probably Renard.
Monroe: Diana's how they got to Adalind. I'll tell you that.
Rosalee: That's why she left.
Nick: I'm not gonna let him do this.
Monroe: [He holds Nick back] No, no, no.
Nick: I can't let him take my son.
Monroe: No, no. Nick, you gotta think about this. I mean, do we even know where they are right now?
Rosalee: Anything you do could jeopardize Kelly. We need to talk this out.
[Monroe locks the door]

Scene: Bonaparte brings Diana to the house where Adalind and Renard are staying.

Renard: They're here. [He opens the door]
Diana: Mommy! [She runs up to Adalind to hug her]
Adalind: Hi. Do you want to meet your baby brother? Come here. His name's Kelly.
Diana: I want to hold him.
Adalind: Oh, I don't know, sweetie. He's very young.
Bonaparte: Adalind? [He steps aside with Adalind] I know this was not an easy decision for you.
Adalind: You held my daughter hostage.
Bonaparte: We want this to work. This family is important to all of us, and having you all together ensures our place in history. Huh?
Diana: [She giggles as she levitates Kelly in the air] He likes me.
Adalind: [She grabs Kelly out of the air] Hi. It's really not a good idea to pick up a baby like that, and I think it's bedtime. Assuming there are beds for us.
Renard: Yeah, I'll show you. Come on, honey. [He takes Diana's hand]
Adalind: Okay.

Scene: Nick, Monroe, and Rosalee talk about how Nick should handle trying to get Kelly back.

Monroe: Nick, think about it. We're talking about a candidate in the middle of an election where the first candidate was assassinated. So, he's got, like, maximum protection.
Rosalee: You're not going to get close to Renard.
Monroe: And even if you do, if you kill him, you're done. You'll never get away with that.
Rosalee: And you'll definitely never see Kelly again.
Monroe: Which is exactly what Black Claw would want. On top of which, Adalind is a lawyer at a Wesen law firm, so your chances of getting Kelly back legally aren't so hot either.
Rosalee: We need to think of another way around this. You need to tell Meisner what happened. Hadrian's Wall probably knows a lot more about what's going on than we do.
Monroe: And if you're going to HW, we're going with you.
Nick: Black Claw still has people watching us, right now. After what happened with Wu, they're getting more aggressive. We can't risk them finding out about HW. Can you two get out of here without being seen?
Monroe: I think so. If we go out the back door and over the fence. It's basically woods down to the street below, so meet us down there.
Nick: I'll deal with whoever follows me. Meet me in 15. [He leaves]
Rosalee: I think we should wear something black.
Monroe: Black?

Scene: Nick pulls over and walks into the forest as two Black Claw agents pull over behind his car.

Agent: Stay here. [He heads towards the forest] He's mine.
[The other agent takes out a gun]
Agent: [He heads into the forest, but can't find Nick so he heads back to the car and gets in] I lost him. [He sees the other agent dead. He woges into a Malin Fatal as Nick walks up and knocks on the window]
Nick: Sorry, I'm in a hurry. [He shoots the agent and goes to meet up with Monroe and Rosalee]
Monroe: You lose 'em?
Nick: Sort of.

Scene: Nick, Monroe, and Rosalee meet with Trubel at Hadrian's Wall's compound.

Trubel: We got a Portland location on the guys we took out in Nevada.
Rosalee: Nevada?
Trubel: It's where HW was keeping Diana before Black Claw got to her. We traced their addresses to Portland. They're concentrating their forces here.
Rosalee: We're all being watched.
Trubel: Yeah, we know. Black Claw's all over you guys.
Monroe: You got identities on any of 'em?
Trubel: Most of 'em. I assume you lost the two following you?
Nick: For good.
Trubel: I'll update the database.
[They go meet with Meisner and Eve]
Meisner: Black Claw's moving a lot of people around the Northwest. Lucien's been sighted in Seattle.
Eve: They've lost a lot of people too.
Meisner: They're replacing them just as fast as we're taking them out. I'm glad you're all here. Take a look at this... sort of a Black Claw corporate structure.
Eve: These are the top Black Claw operatives that we know of, alive or dead, listed based on their position in the organization. The blank spots are positions we know exist, but we don't yet know who's filling them.
Meisner: As you can see, Renard is near the top now.
Trubel: Red Xs are the ones we've killed.
Nick: You said you thought something was happening with Adalind?
Eve: Diana was mentally contacting Adalind, and I somehow intercepted it. Like a twin telepathy experience.
Trubel: Sort of got her wires crossed.
Eve: Did you go home? Was Adalind there?
Nick: No, Adalind left me. Took Kelly with her.
Trubel: Oh, crap.
Meisner: Do you have any idea where Adalind and Kelly are?
Nick: My guess is Renard.
Eve: Your being here means you haven't killed him yet.
Nick: Not yet.
Rosalee: How do we get Kelly back?
Meisner: Not by going after Renard.
Trubel: Black Claw has gone through a lot of trouble to put him in that position.
Eve: They've even created a family for him. Makes him more electable.
Monroe: Well, electable or not, none of us are voting for him tomorrow. Just... for the record.
Nick: I need to know where Renard is, and how well he's protected.
Trubel: We know where he is. Black Claw has him at a heavily guarded house in the Northeast.
Meisner: You go after Renard there, you will not survive.
Eve: Don't forget, they have Kelly.
Nick: I can't stand by and do nothing. They have my son.
Meisner: You have no choice.
Eve: They will expect you to be emotional, and they will take advantage of that.
Nick: Oh, that's easy for you to say. He's not your kid.
Eve: No, he's not.
[Nick, Monroe, and Rosalee leave]
Trubel: We have to help him.
Meisner: Well, not by doing something stupid. Keep an eye on him.
[Trubel walks away]

Scene: Zuri gets up in the middle of the night and gets Hank's phone from his jacket pocket.

[Zuri opens the front door and gives Hank's phone to Tony]
Tony: Okay. Where was it?
Zuri: In the jacket on the chair. How long is this gonna take?
Tony: It's gonna take as long as it takes. Leave the door unlocked.
[Zuri closes the door and heads back upstairs, and is startled by Hank]
Hank: I thought I heard something. Is everything all right?
Zuri: I'm sorry, I didn't mean to wake you. I was a little cold. Just turned up the heat. Come on. Let's go back to bed.
[Tony goes to his car and connects Hank's phone to a laptop to copy everything from the phone]

Scene: Adalind and Renard tuck Diana into bed.

Adalind: Sleep tight, sweetie. [She kisses Diana's forehead] I love you.
Renard: Good night. [He and Adalind leave the room]
[After leaving Diana's room, suddenly Adalind and Renard decide to hold hands, before Adalind quickly pulls her hand away]
Adalind: What are you doing?
Renard: I didn't do that.
Adalind: Well, I didn't.
Renard: [He looks at Diana's bedroom door] Well, isn't that sweet of her? She obviously wants us together.
Adalind: Whether we want it or not.
Renard: It's only natural. We are her parents.
Adalind: She may be our daughter, but we need to be careful. No one knows how powerful Diana is. No one.
Renard: She's still a little girl.
Adalind: Don't underestimate little girls.
Renard: I don't. I just suggest we find a way to make this work. Look, we did have some good times together.
Adalind: Is that what you're looking for? More good times?
Renard: I think you need to get with the program.
[Adalind walks away and Renard follows her to her room]
Renard: Look, I know this is awkward and difficult.
Adalind: Thanks for catching up.
Renard: I just need to ask... did you fall in love with Burkhardt?
Adalind: Now you ask?
Renard: Well, we're supposed to be a family. How do you suggest we start doing that?
Adalind: Not in the bedroom. I'm not the same Hexenbiest I was.
Renard: I'll take what I can get.
Adalind: [She telekinetically throws a vase at Renard, causing it to slam into a wall and shatter] That's what you're gonna get. You want more?
Renard: I think I'm good.
Adalind: Then get the hell out of my bedroom.
Renard: You must have fallen harder for Burkhardt than I thought.
[Adalind telekinetically slams the door and locks it]

Scene: Trubel arrives at the loft.

Trubel: Hey.
Nick: Meisner tell you to follow me?
Trubel: He did, but I would have done it anyway. Look, I want you to know that I'm with you on this. I'm gonna help you however I can.
Nick: Adalind left me a note.
Trubel: What'd she say?
Nick: Well, she said she had to do what she did.
Trubel: You believe her.
Nick: Yeah. And she said she loved me.
Trubel: Yeah, well, I knew that. Wasn't hard to tell.
Nick: I want my son back.
Trubel: Nick, if you want to go after Renard right now, I'm with you. I got no problem taking him down. Let's do it.
Nick: [His phone rings] No, as long as he has Kelly, it's too much of a risk. [He checks his phone] It's him.
Trubel: This should be interesting.
Nick: [He answers] Yeah?
Renard: We need to talk.
Nick: Where's my son?
Renard: He's safe.
Nick: You're not.
Renard: Neither are you, but we still need to talk face-to-face. I suggest we meet on neutral ground. My office in one hour.
Nick: I'll be there. [He hangs up] He wants to meet in his office in one hour.
Trubel: I could leave right now. Take him out in the parking lot. You wouldn't be involved.
Nick: No. Thanks. I wanna hear what he has to say.
Trubel: So what do you want me to do?
Nick: Stay here, and I mean it. Stay here.
Trubel: Okay.

Scene: Tony returns to Zuri's house and puts Hank's phone back in his pocket.

[As Tony returns the phone, the wind blows the door shut. Tony pauses for a second before quietly walking to the door]
Hank: Hey! [He grabs Tony]
Tony: [He screams as he pushes Hank into shelves and they start fighting. He throws a lamp at Hank] Come on! [He woges]
[Hank punches Tony in the face and throws him around the room, knocking him out, and Tony retracts as Zuri comes downstairs]
Zuri: Oh, my God! What happened?
Hank: Do you know this guy?
Zuri: No, I-I've never seen him before.
Hank: I gotta call this in. [He goes to get his phone, but initially has trouble finding it before making the call] This is Detective Griffin reporting a B&E. 518 Southwest Lambert. Suspect's been detained. [He hangs up] You okay?
Zuri: No, no, I ca-I just can't believe that someone just broke-broke into my house. I'm so glad you were here. Thank God. [Hank hugs her]

Scene: Nick arrives at Renard's office.

Nick: You wanted to talk? Talk.
Renard: [He closes the door] I'm not your enemy.
Nick: You have Adalind and my son. Doesn't exactly make you my friend.
Renard: Believe it or not, I know how you feel. Now, a couple years ago, I gave my daughter away to your mother because I trusted her and I trusted you.
Nick: You were asked.
Renard: I was asked, but I wasn't given much choice.
Nick: I wasn't given any.
Renard: Nick, sometimes the only way to protect the ones you love is to let them go.
Nick: And sometimes the only way to protect the ones you love is to kill the people who threaten them.
Renard: What do you think? You were gonna settle down with Adalind, have a normal life? A Grimm and a Hexenbiest?
Nick: I know what you're doing.
Renard: Do you?
Nick: You're working for Black Claw. They killed Dixon, so you could take his place. They set you up to be a hero. What is it you think I don't know?
Renard: That you are one of us. Like it or not, you're a Grimm, and you understand how things really work. The Kehrseite have had this world for too long, and they've ruined it. Our world will be more violent, more primitive, but that is the only way to true progress.
Nick: You have really bought into this.
Renard: It's time for the Wesen to come out of the shadows, Nick, and they're going to. Believe me. With or without me. With or without you. You were the first Grimm to fight alongside Wesen. They haven't forgotten that. They want Grimms with them, not against them.
Nick: Black Claw will kill any Wesen who doesn't agree with them. They are murderers.
Renard: We all have blood on our hands, Nick. This is a revolution, and revolutions are forged in blood.
Nick: What about all the people who aren't Wesen?
Renard: That depends on us. Work with me. Together we can keep the bloodshed to a minimum.
Nick: I want my son back.
Renard: If you join us you can have anything you want. Just think about that. Most of the world doesn't even know we exist. How can they fight an enemy that they don't believe in? Nick, this is not a fight that you're gonna win.
Nick: I don't think there are gonna be any winners in this one. [He leaves]

Scene: Tony is put into the back of a police car.

Zuri: Why do you have to go?
Hank: Something doesn't feel right about this guy.
Nick: What do you mean?
Hank: That guy breaks into your house, but doesn't take anything?
Zuri: Well, maybe he heard you coming.
Hank: Or maybe he might have been here for me.
Zuri: You, why?
Hank: Cops make enemies, and I have to find out if he's one of mine. That officer will be outside your door for the rest of the night. Lock your door.
Zuri: Okay. [She hugs Hank] Thank you.
Hank: I'll call you as soon as I can.
[Zuri goes inside]
Franco: [He walks up] Hank, I found his car just down the street.
Hank: Show me.
Franco: Bad smell coming from inside, so I figured I had good cause. I found some paraphernalia in the glove box along with some pills. Valium, I think, some ecstasy, amphetamines, basically a drug store, and there's a laptop under that passenger seat.
Hank: [He gets into the car and exhales] Registration?
Franco: None that I could find.
Hank: God.
Franco: I ran the plates, but they didn't belong to this car. Plates were reported stolen from Astoria a couple of weeks ago.
Hank: You check the trunk?
Franco: Yep. 17 more sets of stolen plates, 12-gauge pump shotgun, and a dead cat. Which explains the bad smell.
Hank: [He grabs the laptop and gets out of the car] Well, the cat didn't die in vain. Impound the car. Dust it. I'm taking the computer.
Franco: Right.

Scene: Nick returns to the loft.

Trubel: How'd it go? He still alive?
Nick: For now.
Trubel: Well, what'd he say?
Nick: He tried to recruit me.
Trubel: No way. Seriously?
Nick: They want Grimms on their side.
Trubel: Yeah, that makes sense. They want to keep their heads. Look, Nick, I wish there was something I could do.
[Nick just looks at Trubel]
Trubel: What?
Nick: There's something I need to show you.
Trubel: Okay.
Nick: When Monroe and I went to Germany... with the keys...
Trubel: You found something.
Nick: Stay here. [He grabs a lantern and a bag, and heads into the tunnels]

Scene: Franco tells Hank Tony's identity.

Franco: Ran your perp's ID, but no matches at Motor Vehicles. ID's a fake, and a damn good one. But it's harder to fake fingerprints, so, meet Anthony "Tony" Talamonti, 34, lot of drug issues, and an arrest three years ago involving some hacker collective called "Robotomy."
Hank: "Robotomy"?
Franco: Yeah, like "lobotomy" for robots, I guess.
Hank: So why does a drug-addicted hacker break into an apartment and not steal anything?
Franco: Maybe you caught him on the way in.
Hank: No, he was on his way out. He was at the door and leaving.
Franco: Then you got me. I still can't make sense of the dead cat in his trunk. Unless it was a pet he just couldn't say good-bye to. Any luck with the computer?
Hank: No, it has a password. I'ma have Tech get into it.
Franco: Anything else?
Hank: Not for now, thanks.

Scene: Nick gets the box with the stick from the tunnels and brings it back up to the loft.

Trubel: What is it? That looks really old. It's not Pandora's box, is it?
Nick: We're not really sure, but... [He takes the top off the box] we've already opened it.
Trubel: With the keys?
Nick: Yeah.
Trubel: So this really is what they buried?
Nick: It is. [He unwraps the stick] It's not just a stick.
Trubel: Um, it looks like just a stick. Does it do anything?
Nick: I think it saved Monroe's life.
Trubel: What? How?
Nick: He was bitten on his arm. It was infected. He had blood poisoning, and he started passing out, and this... was in my hand, and I grabbed him and he just... [He exhales sharply] the wound healed. It completely disappeared.
Trubel: Are we sure that this piece of wood did that?
Nick: No, we're not sure of anything, but one of the words on this cloth translates to "miracle."
Trubel: Oh, wow, "miracle," okay. [She picks up the stick] Looks like it broke off of something.
Nick: Yeah, but off of what? Some of the other words translate to: "dangerous," "threatening," "hazardous," or "perilous."
Trubel: [She quickly sets the stick down] Well, what's the "dangerous," "hazardous," "perilous" part?
Nick: We're not sure. [He starts to re-wrap the stick]
Trubel: Okay, if it has the power to heal, what else can it do? And where does its power come from?
Nick: Well, I think depends on what you believe in.
Trubel: Well, the Crusaders who buried this hundreds of years ago had to believe it came from God, right? I mean, that's what the Crusades were about.
Nick: So does it prove God exists?
Trubel: Damn, that's kinda big.
Nick: Let me show you where I put it.
[They go down to the tunnels]
Nick: We cannot let Black Claw find this... ever. And I don't want HW knowing about it either.
Trubel: Well, who does know about it?
Nick: Hank, Wu, Monroe, Rosalee, and now you.
Trubel: What about Adalind?
Nick: I didn't tell her.
Trubel: Yeah, that's a good idea, considering.
Nick: [He puts the box back into the hole in the wall] You're a Grimm. If anything happens to me, you and only you know where this is.

Scene: Trubel returns to HW's compound as Meisner and Eve watch the news regarding the latest on the mayoral race.

Brenda Braxton: Portlanders are turning out in record numbers for today's mayoral election, and the polls indicate this race is still too close to call...
Meisner: How'd it go?
Trubel: Renard called Nick last night. He went to go see him. Renard tried to convince him to join Black Claw. Didn't have much luck.
Eve: How's Burkhardt handling all this?
Trubel: As good as he can. [She goes to her room and Eve follows her]
Eve: You're angry.
Trubel: Yeah, just a little.
Eve: Don't make mistakes.
Trubel: Working on it.
Eve: Does he blame Adalind?
Trubel: No, he thinks she didn't have a choice.
Eve: What do you think?
Trubel: No, what do you think?
Eve: I think you have more anger than you know what to do with. [She starts to walk away]
Trubel: Hey, you didn't answer my question.
Eve: I think there is a choice even when there appears to be none, but it's the reaction that determines whether the choice is good or bad, not the person who makes it.
Trubel: And what would Juliette think?
Eve: I don't go there. Too dangerous. [She leaves]

Scene: Nick arrives at the precinct.

Nick: You're here early.
Hank: Been here all night.
Nick: I thought you had a date.
Hank: I did. Had a little B&E action. Got the guy, he's Wesen. Not gonna even guess what. I was waiting to interrogate him until you got here.
Nick: On a B&E?
Hank: Yeah, a B&E where he was leaving without taking. I caught him leaving empty-handed. They ID'd the guy as Tony Talamonti.
Nick: So how'd Tony come in?
Hank: Windows were closed and locked. He had to come through the front door.
Nick: So did Zuri leave the door unlocked?
Hank: She left it unlocked for me when I came over earlier. Could've been a mistake. But I think the guy was there for me. I'm thinking he's Black Claw.
Nick: It sounds like we both had a rough night.
Hank: What'd I miss?
Nick: Adalind left me. Took Kelly with her.
Hank: What?
Nick: Yeah, she left me a note. Said she didn't have a choice. Which I'm pretty sure means they have Diana.
Hank: Do you know where she is?
Nick: With Renard.
Hank: Oh, oh, this just keeps getting better.
Nick: Yeah, we had a pretty interesting talk at 3:00 this morning.
Hank: And he's still alive?
Nick: He has my son. Kind of complicates things.
Hank: I don't have a son. You want me to talk to him?
Nick: Maybe later. Right now, we have to figure out if your guy's connected to Black Claw.
Hank: How do we do that? These guys aren't big on admitting stuff.
Nick: We'll push him. See if he woges.
Hank: What if he is Black Claw? Won't he know you're a Grimm?
Nick: Yeah, so if he woges, he's not Black Claw. If he doesn't, he knows I'm a Grimm, and he's trying to fake us out.
Hank: So we fake out the fake out.
Nick: Exactly.
[They go talk to Tony in an interrogation room]
Hank: Hey, nice ID, Tony. How much it cost you? Now, we got you on breaking and entering, assaulting an officer, drugs in the car... be a lot easier if you open up a little.
Tony: Be a lot easier if you just let me go.
Nick: What happened to your hand?
Tony: You worried about me?
Nick: We're trying to work with you, Tony. Give you a chance to drop a few charges.
Tony: I can tell you guys are really concerned for my well-being.
Hank: Why'd you pick that house?
Tony: What house?
Hank: What were you after?
Tony: What were you after?
Nick: You woged in front of my partner. You want to do it again?
Tony: Woged? Not sure I know what you mean.
Nick: You're Wesen.
Tony: What's that?
Nick: You really want me to explain it to you?
Tony: Yeah, why don't you try?
[Nick slams Tony's head into the table and pins him against a wall. He lets go of Tony after waiting for Tony to woge]
Tony: Now what?
[Nick and Hank leave]
Tony: Had enough?
Hank: Nothing?
Nick: No. He definitely knows who I am and who you are.
Hank: All right, so how do you want to handle this?
Nick: Well, you saw him woge.
Hank: Yeah. Gotta say whatever he is is badass nasty.
Nick: Until we figure out what he is, I don't think we should do anything else.
Hank: Pick him out in the books?
Nick: Let's hope he's in one of 'em.
Hank: Let's go. Wu.
Wu: Morning.
Nick: How you feeling?
Wu: Gotta say, pretty good.
Hank: Dreams?
Wu: Some, but I think I'm getting a handle on it. One thing I know, I need to stay busy. Being alone in my apartment may not be all that healthy.
Hank: Mm.
Wu: Got something for me?
Hank: We do. We want to keep you busy.
Wu: Mm-hmm.
Hank: [He hands Wu the laptop from Tony's car] Got this off a B&E last night. Love to know what's on it. Password protected.
Wu: Not for long. [He walks away]

Scene: Nick, Hank, Monroe, and Rosalee work on identifying what type of Wesen Tony is.

Monroe: No hair. [He shows Hank an entry in one of the books]
Hank: More buggy.
Rosalee: Spinnetod buggy, or Mellifer or Jinnamuru Xunte buggy?
Hank: No, no, bigger with kind, um, uh, uh-a shield on its face.
Monroe: Well, the shield, you got your Musasat Alsh-Shabab.
Rosalee: And there's always the Kackenkopf. I hate them.
Nick: I got one right here. [He shows Hank a Kackenkopf entry]
Hank: Oh, yeah. That's our Tony.
Rosalee: Tony? His name's Tony, the guy you arrested, and he's a Kackenkopf?
Hank: Yeah.
Nick: He had a fake ID, but his real name is Anthony Talamonti.
Rosalee: Oh, my God, it's Tony.
Monroe: Seattle Tony?
Nick: You know this guy?
Monroe: Yeah, she does. It's the same guy that was here in the spice shop when we were in Germany. When Adalind got her Hexenbiest back.
Hank: What'd he do?
Rosalee: Well, not much after Adalind broke all five fingers in his left hand.
[Flashback of Adalind telekinetically breaking Tony's fingers in "Into the Schwarzwald"]
Nick: [His phone rings] And we think he's working for Black Claw.
Rosalee: And he was here in the shop and he's following you now? This is... yeah, this is getting a little scary.
Monroe: I wanna see this guy. Five minutes, man. Just give me five minutes with this guy.
Nick: [He checks his phone] It's Wu. [He answers] Wu, what do you got?
Wu: Since Hank gave me the laptop, I would normally call him, but because of what I found on the laptop, I am calling you.
Hank: All right, what'd you find?
Wu: You have your cell phone?
Hank: Um, yeah. [He goes to get his phone from his jacket]
Wu: Well, apparently so did he. Everything on your cell phone is now on this guy's computer. Every email you've made, every text you've sent, all of your contacts. I wouldn't be using that phone if I were you.
Hank: I knew something was wrong. That's why the phone was in my left pocket. I normally put it in my right. He put the phone back in the wrong pocket. Thanks, Wu.
Wu: I did kind of nail it, didn't I?
Hank: You did, thanks.
Nick: Hang on to the laptop. I wanna take it over to HW.
Wu: You got it.
[They hang up]
Nick: Well, we still don't know how Tony got into Zuri's in the first place.
Hank: There was no signs of forced entry.
Nick: Do you think Zuri unlocked the door for him?
Hank: [He remembers Zuri coming back into the room in the middle of the night] She could have.
Monroe: Could this be the reason that she got involved with you again?
Hank: There are some things that aren't adding up.
Rosalee: I don't know, Hank, maybe it was just an accident.
Hank: No, I don't believe in accidents.
Nick: If she's Black Claw, she's not going to admit it.
Hank: Not unless we make her.

Scene: Renard, Diana, Bonaparte, Rachel Wood, and Jeremiah Rogers watch the news coverage of the mayoral election.

Brenda Braxton: Exit polls indicate that Sean Renard has strong support across the city, but Steven Gallagher is showing strong support in the North and Northeast. The polls close in just about 45 minutes, and we will be bringing you all the returns...
Diana: What're you going to win, Daddy?
Renard: Well, if I get enough votes, then I become the mayor.
Diana: Is a mayor fun?
Renard: I hope so.
Adalind: [She walks into the room] Big day. Guess we're all excited. How much longer?
Jeremiah: We should know in less than an hour.
Rachel: You look beautiful, Adalind.
Adalind: Well, we all do what we can for the cause.
Bonaparte: Can I get you a cup of coffee?
Adalind: Sure.
Bonaparte: Please.
Brenda Braxton: A relative unknown in the political arena...
[Diana stares at Rachel]
Bonaparte: I want you to know that we all worked very hard to bring Diana back to you.
Adalind: I didn't think I'd ever see her again.
Bonaparte: Adalind... [He exhales] I confess, I don't know everything about you, but I do know about your relationship with the Grimm. I know he's the father of your son.
Adalind: He was good to me, and he didn't have to be. Don't ask me to betray him.
Bonaparte: He will try to stop us if he can. Whatever happens to him, you cannot take it personally. Now, where is he?
Adalind: I'm not gonna tell you that.
Bonaparte: We will find him.
Adalind: But I won't have helped. [She walks away]

Scene: Nick knocks on Zuri's door and she answers.

Zuri: Nick, what are you doing here?
Nick: Can I come in?
Zuri: Uh, sure. Has something happened to Hank?
Nick: Hank's fine. He's getting a safe house ready for you.
Zuri: A safe house? What? What's wrong? Am I in some kind of danger?
Nick: Have you ever heard of Black Claw?
Zuri: No. What is it?
Nick: It's a very dangerous organization. The guy who broke into your house last night was one of them; he was going after Hank.
Zuri: Oh, my God.
Nick: And we're afraid now they know about you and Hank, that you're the next target. So pack whatever you can. Enough for a week.
Zuri: What? I can't just leave.
Nick: You are not safe here. Hank'll be by in a half hour to pick you up. I will be right outside in my car until then. Don't worry. Everything's gonna be okay. Just do not use your phone. We can't assume that those are safe.
Zuri: But I didn't do anything.
Nick: Unfortunately, knowing Hank is enough. So lock the door behind me. Do not open it again unless it's me or Hank. [He leaves]
[Zuri locks the door and calls Bonaparte]
Bonaparte: Yeah?
Zuri: We've got a problem. Burkhardt is here, and he's taking me to a safe house.
Bonaparte: Why?
Zuri: Because of Hank. They figured out that Tony was here for him.
Bonaparte: Do they suspect you?
[Hank stands behind Zuri]
Zuri: No, why would they be taking me to a safe house? Now I'm supposed to pack for a week. What do you want me to do?
Bonaparte: Cooperate. Pack for a week and go. That's enough for now. [He hangs up]
Hank: So, I guess we didn't meet by accident. I really felt something for you, Zuri.
Zuri: Hank—
Hank: You unlocked the door.
Zuri: No, I-I-I didn't, I—
Hank: Stop. You unlocked the door and you gave Tony my phone.
Zuri: You don't understand. They made me do it. Hank, I love you, but they threatened me, and my brother. I just did what I had to do. I love you, Hank. I love you. I'm so sorry. [She woges and tries to attack Hank]
[Hank pushes Zuri away and when she walks back up to him, he hits her across her face and knocks her out. Zuri then retracts]
Hank: Yeah, I'm sorry too.

Scene: Eve, Trubel, and Meisner wait for Zuri to regain consciousness.

Zuri: [She sighs as she wakes up] Where am I?
Meisner: Doesn't matter where you are. What matters is what comes next.
Eve: "Two roads diverged in a yellow wood," and you cannot travel both.
Trubel: So which is it gonna be?
Zuri: Occultatum Libera.
Trubel: Guess she chose the rough road.
Meisner: Okay. I'm going to get a cup of coffee. She's all yours. [He leaves]
Eve: So you don't wanna talk. Then I guess you won't be needing your mouth. [She puts her hand over Zuri's mouth and removes it]
[Zuri breathes heavily]
Trubel: It doesn't get much better from here.

Scene: Nick, Hank, and Meisner watch as Renard is declared the mayor.

Brenda Braxton: With 38% of the votes counted, Channel 8 has declared Sean Renard the new mayor of Portland in what appears to be a landslide. Let's go live now to the Benson Hotel.
Reporter: I'm told that Police Captain, and now Mayor-elect Sean Renard is on his way down and that he will be making a victory speech. In fact, here he comes now.
[The crowd cheers and applauds as Renard comes out]
Renard: Thank you. Thank you very much. [He steps up on the stage] Thank you, everyone. Thank you! [He steps up to the mic] Thank you very much. Thank you. Now, first and foremost, I would like to congratulate my opponent, Steven Gallagher, on a well-fought campaign.
[The crowd boos]
Renard: No, no. No, come on. I just got off the phone with Steven and he conceded and congratulated us.
[The crowd cheers and applauds]
Renard: That's right. I want to thank you all, all of my supporters. And to the people of Portland, those who voted for me, and those who did not, it is time for us to overcome our differences and to work together to make Portland an even greater city than it already is.
[Rachel notices Diana staring at her]
Renard: Now, there are a lot of people that I need to thank tonight, but I would like to begin with the love of my life and the mother of my children, Adalind, please, come up and join me.
[The crowd cheers and applauds]
Renard: Come on, darling. Come on.
Bonaparte: Get up there.
[Adalind gasps]
Renard: Please.
[Adalind carries Kelly as she and Diana walk onto the stage]
Renard: Come here, you. [He picks up Diana]
[Nick angrily watches the TV]
Crowd: Renard!
Renard: Thank you.
[Balloons and confetti fall from the ceiling]
Bonaparte: [He answers his phone] Yes? Do you know where they took her? As long as we know where she is, we know where they are. Wait for my call. [He hangs up]
[Nick clenches his fist]
Renard: Thank you.
Nick: You're dead.


Season 1 "Pilot" "Bears Will Be Bears" "Beeware" "Lonelyhearts" "Danse Macabre" "The Three Bad Wolves" "Let Your Hair Down" "Game Ogre" "Of Mouse and Man" "Organ Grinder" "Tarantella" "Last Grimm Standing" "Three Coins in a Fuchsbau" "Plumed Serpent" "Island of Dreams" "The Thing with Feathers" "Love Sick" "Cat and Mouse" "Leave It to Beavers" "Happily Ever Aftermath" "Big Feet" "Woman in Black"
Season 2 "Bad Teeth" "The Kiss" "Bad Moon Rising" "Quill" "The Good Shepherd" "Over My Dead Body" "The Bottle Imp" "The Other Side" "La Llorona" "The Hour of Death" "To Protect and Serve Man" "Season of the Hexenbiest" "Face Off" "Natural Born Wesen" "Mr. Sandman" "Nameless" "One Angry Fuchsbau" "Volcanalis" "Endangered" "Kiss of the Muse" "The Waking Dead" "Goodnight, Sweet Grimm"
Season 3 "The Ungrateful Dead" "PTZD" "A Dish Best Served Cold" "One Night Stand" "El Cucuy" "Stories We Tell Our Young" "Cold Blooded" "Twelve Days of Krampus" "Red Menace" "Eyes of the Beholder" "The Good Soldier" "The Wild Hunt" "Revelation" "Mommy Dearest" "Once We Were Gods" "The Show Must Go On" "Synchronicity" "The Law of Sacrifice" "Nobody Knows the Trubel I've Seen" "My Fair Wesen" "The Inheritance" "Blond Ambition"
Season 4 "Thanks for the Memories" "Octopus Head" "The Last Fight" "Dyin' on a Prayer" "Cry Luison" "Highway of Tears" "The Grimm Who Stole Christmas" "Chupacabra" "Wesenrein" "Tribunal" "Death Do Us Part" "Maréchaussée" "Trial by Fire" "Bad Luck" "Double Date" "Heartbreaker" "Hibernaculum" "Mishipeshu" "Iron Hans" "You Don't Know Jack" "Headache" "Cry Havoc"
Season 5 "The Grimm Identity" "Clear and Wesen Danger" "Lost Boys" "Maiden Quest" "The Rat King" "Wesen Nacht" "Eve of Destruction" "A Reptile Dysfunction" "Star-Crossed" "Map of the Seven Knights" "Key Move" "Into the Schwarzwald" "Silence of the Slams" "Lycanthropia" "Skin Deep" "The Believer" "Inugami" "Good to the Bone" "The Taming of the Wu" "Bad Night" "Set Up" "The Beginning of the End"
Season 6 "Fugitive" "Trust Me Knot" "Oh Captain, My Captain" "El Cuegle" "The Seven Year Itch" "Breakfast in Bed" "Blind Love" "The Son Also Rises" "Tree People" "Blood Magic" "Where the Wild Things Were" "Zerstörer Shrugged" "The End"
Webisodes "Bad Hair Day" "Meltdown" "Love is in the Air: Elegant Endeavors"
Community content is available under CC-BY-SA unless otherwise noted.